Fiesta vibes at Globe’s Much Ado revival

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Shakespeare’s Globe on London’s Bankside is known for its alternative takes on the classics. Their new production of Much Ado About Nothing, directed by Matthew Dunstar, is no exception, bringing the Bard to revolutionary twentieth century Mexico, and boldly putting a sombrero on Shakespeare.

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Audiences will be transported back to 1914 where political upheaval meets Latin music and desert sands — romance, unsurprisingly, is central, but the strobe lighting and gunshots will remind you that revolution rumbles in the background.

This revival is part of the Globe’s Summer of Love season — Much Ado follows Beatrice and Bendick as they reluctantly realise their feelings for one another, egged on by their outspoken friends.

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Being in the midst of Mexico’s Latino vibes, the play is full of colour and creativity — this is indeed the case with the script, which occasionally veers from the original, but to the effect of much laughter from the crowd. The cast frequently also move into Spanish — whether it is good espanol or not, I cannot comment, but it undoubtedly reaffirms the Mexican setting.

The set is impressive,  featuring a freight train carriage complete with more windows and doors than you can shake a maraca at. Atop the train sits the band — heavy on Spanish guitar — whose soundtrack significantly adds to the fiesta-style atmosphere. Expect much flouncing of skirts, singing, epic one-liners and a ‘so what?’ to tradition. Hardcore Shakey fans may feel shortchanged, but this version is definitely worth witnessing.

Much Ado About Nothing runs until 15 October at Shakespeare’s Globe, 21 New Globe Walk, Bankside, SE1 9DT.

 

Adapted from original review for Londonist, 

StrEATlife at Alexandra Palace: Music, Food and Epic Views

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This summer, Ally Pally is hosting StrEATlife, a craft beer and street food festival, over four weekends. I checked out the first edition (27th and 28th May), which proved to be a roaring success.

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London in summer is a glorious thing, but sometimes the dense city centre can be slightly trapping. When it gets that bit warmer, I like to go in search of some green space, something that, luckily, London has a fair amount of.

If you head to the northern part of the capital, you’ll find  greenery a plenty in the parks surrounding Alexandra Palace — at the same time as feeling completely removed from the city, Ally Pally offers hands down one of the best views of our stunning city you are likely to find.

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Ally Pally is a beautiful place to visit anyway, but what made this the perfect destination on a warm and sunny bank holiday weekend was the fact that the grounds were buzzing with festival vibes.

StrEATlife, a street food, craft beer and live music festival, saw over 30 street food traders, plenty of drinks choices, and a decent range of live music, take over the grounds surrounding one of London’s most iconic buildings. This was the first edition of StrEATlife, which will pop-up another three times over the summer.

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Whether you’re an ice-cream aficionado or craft beer connoisseur, a fried chicken fan or a lover of wholefoods, StrEATlife’s selection would have ticked your box.

To the soundtrack of live acoustic tunes, jugs of Pimms were being shared and churros were being chomped, the masses dressed for the sun with a similar ‘holiday-vibes’ frame of mind. Family friendly and free, StrEATlife is an all-round crowd-pleaser.

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Away from the stage and the street food, the grassy banks were full of Londoners and families picnicking, playing games and enjoying the sun, not to mention taking in the incredible view of the city that Ally Pally offers. I’m pretty sure this is the only place you can see all of London’s landmarks in one fell swoop, without having to pay a premium to get to the top of the Shard — Alexandra Palace is worth visiting if just to see our capital in all its glory.

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StrEATlife didn’t disappoint: there were decent prices all round — a good size meal from most of the vendors will set you back around £6, and the variety means that you can keep everyone happy.

Put the dates of the next StrEATlife festival in your diary — if the sun is shining for the next round (17th and 18th June), I can highly recommend trying a watermelon mojito – served in the melon – to keep you refreshed.

Pack a picnic blanket, have some cash on hand, and get ready for a chilled out mini-festival where you can escape the hustle and bustle of the city, yet take in the most instagrammable London view that there is.

StrEATlife takes place at Alexandra Palace on 17th and 18th June, 22nd and 23rd July, and 19th and 20th August.

Freelancing? Studying? These London cafes have fab coffee and super wifi

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If you’re on the lookout for somewhere to caffeinate and get productive, check out these wifi offering, coffee brewing locations in central London.

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Ah, the freelancer lifestyle. The freedom to work from the comfort of your bed, donning last night’s PJs with a cuppa in hand. Sometimes, though, that just isn’t productive. As a student and writer, I can work pretty much anywhere (except when ancient tomes and obscure books mean the library is my only choice).

The question that has been dumbfounding London millienials since, well, ever, is where exactly to set up shop and get a few hours decent work done. Wifi is obviously a major factor, as is the quality of the coffee – caffeine is, after all, the fuel to all productivity – and a plug, chilled atmosphere and comfy chairs are all things to consider.

If you’re mooching around central on the lookout for an oasis to open up your laptop in, be it for uni, freelancing, or just inevitable life admin, check out my list of where to get into work mode.

  1. Timberyard

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These guys are the kings when it comes to remote working, even offering up meeting rooms to rent out. Head to their Seven Dials or Soho branches for super-fast wifi, a relaxed environment, and a plethora of other people around you tapping away on their Macs. They also have an impressive selection of teas, as well as a tempting selection of homemade bakes. The Covent Garden café can get pretty busy, but the comfy armchairs downstairs are worth a bit of a wait

2. Covent Garden Grind

Grind have expanded over the last couple of years, recently opening outposts of their much-loved coffee spots in Exmouth Market and Covent Garden. The latter is quite tucked away, behind the Piazza, and pretty much next door to the old-school Rules (you may or may not find yourself having a coffee with the doorman). There’s cracking coffee, service with a smile and not to mention some delicious snacks (think seeded energy balls) and the ultimate avo-toast. The thing which gives Covent Garden Grind the edge has to be the Bowie quote on the wall: I reckon with the inspiration and wifi here, we could all (think we could) be heroes (if just for one day).

3. Hubbard and Bell at The Hoxton Holborn

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An all day café, restaurant, bar and freelancer office, The Hoxton on High Holborn can be anything and everything you want it to be. Stay through from morning coffee to a lunchtime bite, rewarding yourself for the day’s productivity with a sophisticated cocktail come early evening. For the hungover, there are fresh juices and smoothies; for the super hungry there are pancake stacks drenched in maple syrup. Pretty much everyone here in the daytime is working away, which can be a useful source of motivation. Plenty of plugs around, chilled background music and some snazzy toilets with that posh hand stuff mean this place is a winner.

4. Tinderbox

For any fellow stationary geeks and organisation freaks, Paperchase’s flagship store on Tottenham Court Road is heaven. Head upstairs to their Tinderbox café, which as well as being full of light thanks to the huge windows, offers wifi, coffee and is usually relatively quiet. Feeling broke? Get yourself a Paperchase Treat card and you can get a free filter coffee every week (or upgrade to another drink by paying the difference). You can then feel totally justified about forking out a tenner for some uber-cool gel pens and notepads.

5. Planet Organic, Tottenham Court Road

Vegans, veggies, omnivores and carnivores will (I’m fairly sure) be satisfied with the range of yummy options at Planet Organic’s café on Tottenham Court Road. This is the one just by the station, as opposed to the other branch down the road on Torrington Place. Grab a coffee, bar, smoothie or lunch and get to work upstairs in their light and airy seating area. The wifi is good – phone signal a bit iffy. Plugs a plenty, nourishing grub and the opportunity to get a bit crazy with your coffee (coconut oil coffee and superfood coffee – with mushrooms – are on the menu). They also offer student discount with a valid card, which can only ever be a good thing.

6. Waterstones Tottenham Court Road

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This is one for those who like a bit of silence to work in – the basement of this new-ish Waterstones is an oasis of calm and a good place to knuckle down and get stuck in. There’s wifi too, as well as a coffee bar, but unlike other dedicated cafes, you don’t feel any obligation to make a purchase at the shop or café to work there. Obviously the book selection is a massive bonus.

7. Foyles, Charing Cross Road

Another bookish site, but this one, instead of being tucked away underground like the Waterstones option, is high up on the 5th floor of this flagship store. The shop itself is open until 9pm, and the café shuts 45 minutes beforehand, which makes it a great place if you need to crack something out when other places have shut their doors. There are regular events on in the shop too — why not combine a few hours work with an author’s reading, a panel discussion or a music concert?

8. Leon, Brunswick Centre

If you’re a regular at the nearby Senate House Library, or a student at UCL, Russell Square will be your stomping ground. Leon, the chain which prides itself on its healthy fast food, has a pretty big branch in the Brunswick. Their wifi is bang on, food reasonably priced, and they do 15% student discount – if you’re feeling particularly skint, get their filter coffee, which works out at 85p with a student card.

Refugees or Immigrants? Migrant Art at the Ben Uri Gallery

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The Ben Uri Gallery have just opened two new exhibitions looking at the contribution of German migrant artists to Britain.

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Credit: Eva Frankfurther Estate

The Ben Uri Gallery may not be on your radar if you’re used to trekking around the likes of the National or the TATE. Naturally, these iconic institutions with their hundreds of masterpieces have their place, but sometimes visiting a smaller, more niche, and often more thought-provoking gallery is worthwhile.

Housed in North London, the Ben Uri Gallery is dedicated to art and migration; a small but perfectly formed gallery with regularly changing exhibitions addressing questions of movement and visual arts. Their latest exhibition, ‘Refugees: The Lives of Others’ looks at the various ways German refugees have contributed to Britain’s 20th century art scene. Of course, these artists did not merely choose to come here for our tea and our incredible weather – the majority of the artists came here because of the Nazi situation in Germany: anti-Semitic laws in 1933 meant many Jewish artists were forbidden to practice, and so they fled abroad in order to continue to do what they loved.

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Ben Uri’s newest exhibition is particularly relevant today, given our current refugee crisis: I attended the opening night of the gallery’s German-centred feature and it is stunning. The ground floor is dedicated to a young lady called Eva Frankfurther, who escaped to London with her Jewish family in 1939. After studying at St. Martin’s School of Art, Eva found that she wasn’t all that excited about the London art scene, and she moved to Whitechapel to work in Lyon’s sugar factory. The East End in the 50’s was a hub of various migrant communities: these West Indian, Cypriot and Pakistani people were the inspiration for Frankfurther’s artwork, which she completed during the day after her night shifts at the factory.

Often dark in colour, Eva Frankfurther’s sketches and paintings depict people at work or rest, going about their daily lives in the smog of the city and interacting with friends, families and fellow refugees.

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Frank Auerbach. Credit: Ben Uri Collection

Downstairs in the basement gallery, a whole host of diverse German artists are on display. There are the more well-known names such as Lucien Freud and Frank Auerbach, as well as sculptors, sketchers and painters you’ve probably never heard of. It’s not just the varied works that is inspiring though; the artists’ stories are as  important here as the art on show. Many of the artists were interned, so a lot of the paintings are those which were completed in a camp.

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Rough and unpolished sculpture by Margarete Klopflesich contrasts with the abstract, graphic style of Elisabeth Tomalin’s ‘Head’; Frank Auerbach’s textural images are even more exciting alongside Hans Scheleger’s lithographic prints for London Transport. What brings all these incredible artists and works together is their shared identity as German refugees in our country, a place of safety away from the horrors of Hitler, and one where they could continue to thrive with their artistic talent.

We did it once, and we can do it again. Let’s hope that Britain supports, embraces and nurtures the art of all the diverse people who are coming to call our home theirs.

 

 

 

42nd Street Is A Toe-Tapping Success

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There’s a new show in town, and it comes from the bright lights of Broadway. 42nd Street, the dance-heavy musical set in 30s New York is now showing at Theatre Royal Drury Lane, and is the perfect performance for anyone who likes toe-tapping, stunning costumes and a lot of glitter.

42nd Street follows the story of Peggy Sawyer, a young hopeful keen to get a foot in the door of the theatre world. Peggy is played by the talented Clare Halse, a former Hairspray, Charlie and the Chocolate Factory and Gypsy performer.  She may be small, but she is certainly mighty: indeed what Halse lacks in height, she makes up for with her incredible tap dancing.

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And there is a lot of dancing. Expect fantastic formations, uber-quick footwork and beautiful costumes. All gets messy when we meet Dorothy Brock, Peggy’s rival in terms of nabbing the top spot in the upcoming production. The role of Dorothy is played by the utterly amazing Sheena Easton –she may be best known for her Bond soundtracks (For Your Eyes Only)  but she is stunning as the one-time star and surefire primadonna Brock in 42nd Street.

This is the ultimate ‘lights of Broadway’ spectacular – if you need a bit of glitter in your life, heading to see 42nd Street is a no-brainer. Whilst it may be humanely impossible for your eyes to keep up with the speed of all those feet tapping away, watching the pros at work will definitely make you want to take up dancing. That, or get some really noisy shoes.

Photos thanks to 42nd Street: The Musical’s media.

Fairy-tale Photography: Dennis Valdez at the Talented Art Fair

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Right in the heart of London’s hipster centre, the Truman Brewery has to be the ultimate venue for markets, events and pop-ups that are on the cutting-edge of what’s new. From 17-19 March, the Talented Art Fair set up shop in this warehouse-style space, showcasing some of the globe’s most innovative and exciting emerging talent. Amongst ceramicists, painters and sculptors, creative genius Dennis Valdez was one of only four photographers exhibiting at the Truman Brewery, presenting his breath-taking other-worldly photographs amongst the world’s best talent.

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The atmosphere for any show or exhibition is arguably as important as what is being exhibited. The Friday night private view of the Talented Art Fair certainly did well on this front, with chilled tunes courtesy of a cracking DJ, a fizz-filled bar, and a host of inspiring creatives wherever you looked. The relaxed yet exciting vibe was the perfect setting for the photographs of Dennis Valdez, a London-based photographer whose images immediately transport you to a fairy-tale world.

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Think Marie Antoinette and Narnia’s White Witch and you get a feel for what Valdez achieves. With locations including Epping Forest and former sanatoriums, the outfits, models and the impeccable composition of each image combine to create an intensely magical aura – some could say over the top, but this is extravagance done very well.

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With fairy-tale-like outfits embellished with all manner of sequins, pearls and feathers, the models in Dennis’ images could quite easily have just stepped out of a film. Headwear, in the form of elaborate and opulent crowns, coupled with lace and ruffled dresses created an ethereal vibe, and the setting of Epping Forest certainly added to the fantastical theme.

Styling of the models ranged from dreamlike 1920’s-esque feathers and lace to sultrier red-lipped, and fiery-haired looks: a palate of blacks, whites, silvers and creams enabled striking designs to really stand out. 

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The beauty of Valdez’s images, aside from the utter beauty of the models he used, is the ability to completely remove you from the greying fog of London, and take you to a fantastical place right out of a storybook. Snow Queens, fairies and historical heroines immediately spring to mind when looking at Dennis’ work, each photograph complimenting the next. Both ethereal, yet completely grounded, there is a definite weight and substance to his work. 

Surrounded by Valdez’s epic fantastical work, I am convinced that if his photography exhibition were a fairy-tale, it would be one which you just have to keep reading.

Photographs by David Meehan. Check out Dennis’ work here.

A German Author in London: Barbara Honigmann at Senate House

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Recently the Institute of Modern Languages Research, based at Senate House Library,  hosted an evening with one of Germany’s best contemporary women’s writers titled ‘A Conversation with Barbara Honigmann’.

Barbara Honigmann, 2014

To define Barbara Honigmann is a difficult task: she is, yes, a woman writer. She is also a German writer, and at the same time a Jewish writer. But rather than see her as a Woman German-Jewish writer, we should simply see her as a writer. Fitting into multiple ‘boxes’ means that to certain interested parties, she has several identities: but giving a voice to Jews, Germans or women, in whatever part she is required to be at the time, can leave her feeling that she has – rather than a rich and multifaceted identity -an utter lack of concrete identity.

Born in east Germany in 1949 to parents who spent many years exiled in London, Barbara Honigmann left the GDR for Strasbourg in 1983, where she still lives. Honigmann is best known for her largely autobiographical fiction, and is currently the writer in residence at Queen Mary University of London.

Senate House Library is a rather imposing looking building smack bang in between Russell Square and Tottenham Court Road. This 1920s-feel white brick structure may look bleak from the outside, but as the University of London library, and home to the School of Advanced Study, this is one knowledge-filled place; the perfect location, then for a discussion with one of Germany’s most prominent authors.

Despite her multiple identities, one March evening in the welcoming space of Senate House, it was Barbara Honigmann the writer who held the steadfast attention of the room. Facilitated by Robert Gillett, Honigmann discussed her life as well as her latest novel, Chronik meine Strasse to a gripped audience.

Interspersed throughout the talk of biography and language, the author read passages from her new book in German, followed by a translation read by Dr. Gillett. Essentially her latest book is, hence the title, the story of Barbara’s street. A novel dedicated to a single road has the potential to sound like a dull and overly simplistic affair, but in what we hear from Chronik meine Strasse, Honigmann’s street exists as a deep and detailed character.

Her street has a past, it has a personality, and it has people that each have their own stories living along it. Barbara’s atmospheric, and at times simplistic, writing creates an image of a street you eagerly want to explore, yet at the same time feel you already know. There are long, meandering sentences (that had to be split for the English version) amongst brisk statements and repeated sequences. Despite these instances of wanderings and explorations, the destination of the text is never far from sight.

We hear about the people she sees from her balcony. and how the street is changing. Neighbours and relationships, as well as the history of the road are discussed in detail: Barbara Honigmann’s street feels like a microcosm of today’s multicultural and varied cities. In fact, her text could have been transposed to right here in London, and the sights, feelings and people may not have been altogether that different.

For such an accomplished writer, Honigmann’s humble personality may have seemed at this event unequal to the lofty standards of her words. Her softness and approachability, however, meant Barbara could have gone beyond meine Strasse, further than meine Stadt and outside mein Land, and the audience would have still been hungry for more.  Barbara Honigmann’s discussion with Robert Gillett did not only instigate applause, but also those rare moments of silent thought; a sign, always, of a successful conversation